Tuesday, October 4, 2011

Official Selection...

Lex Talionis is an Official Selection
in the

2011 LA Femme Film Festival!

CLICK HERE for screening time and information!

Monday, September 26, 2011

Lex Talionis Press

Refine Films Exclusive: Melissa Kosar

Interviewed by Anthony Pang at
The Temecula Valley International Music & Film Festival 2011

My final interview with a filmmaker was a pleasant surprise. I actually had an opportunity to screen her film during the submission process, and when I met her at the festival, she was more than gracious enough to sit down with me to talk about her film, Lex Talionis, which premiered at TVIFF this year.

Anthony Pang |
Let's start with the film's title. Tell me about it.

Melissa Kosar | Lex Talionis is Latin for "eye for an eye." I didn't want to call it "Revenge" or "Retribution," I wanted to be creative and wanted to make people think when they read it.

AP |
Well, it's a good title, definitely more attractive than "Reve
nge" or whatever. So, where did the film idea come from?

MK |
I wanted to write a revenge story that revolved around a female lead with an alter ego. I love psychological-thrillers and wanted to do a half-psychological, half-heavy drama. The different elements came together and once they did, it just snowballed from there. I do a lot of writing at night because that is when I feel most creative. After I had my outline I began writing and four hours later I had Lex Talionis. It helps when you have different emotions and feelings helping to get the words onto the page.

AP | What did you learn during the filmmaking process and what would you do differently next time?

MK |
I chose to do this film extremely late during my last year at graduate school as an independent study. I wrote the script in October of 2009, started pre-production in March of 2010 and shot it in April, one month before I graduated. It wasn’t a matter of needing cred
it, it was about having another opportunity to shoot a film before I graduated. There are always limitations doing a student film, especially that late into the curriculum. No matter what type of film you are making, a short, a feature or a documentary, there are many things to do and it can be stressful. Budget issues come up, time restraints, schedule conflicts, locations, permits, equipment, etc. The one consistent thing I always learn from each film I do is to stress a little less the next time. Things have a way of working out, sometimes not exactly as planned but the job gets done. There is much to be said for a hard-working and talented crew as well. They are invaluable and it allowed me to focus on my responsibility as the director. Looking back now, it is hard to pinpoint one thing because you learn by doing. And you take each experience with you as you continue on your journey, and sometimes you can’t do anything but roll with it.

AP | Fair enough. You talked about shooting on film. Now, that medium presents its own challenges. Any thoughts on that experience?

MK | Yeah, again, being in school, the advantage we had was having the option to shoot on film. I knew I wanted to shoot it on film so we shot on Super 16 for this particular project. I didn't want to shoot this one digitally, I wanted keep it on film, just one more time before graduation. I knew it would be awhile before I would shoot on film again, so I figured, I might as well take advantage of this opportunity. Gail Duncan, our film rep from Kodak was so generous, she gave us a huge deal and helped us out tremendously with getting film stock and such. There's nothing like shooting on film, even with the times changing to digital. I think there's something to be said for [shooting digital], but I think there are still films that should be shot on film. You just have to look and see what the story calls for. Michael Mann is one director who I admire. For Collateral, he shot on both film and digital. You can't see the skyline at night if you shoot on film, it's too dark, so that is one example where he shot on digital. I didn't combine mediums on my film, but for me, it’s gaining knowledge and inspiration from other directors and other filmmakers that inspire me to do what I do and make the choices I make.

AP | Besides that, what was the most difficult challenge and how was that resolved?

MK | One particular challenge was trying to hit the budget to make the film. The amazing thing is that there w
ere so many people that were willing to step up and support and be a part of this project, which I am truly thankful for. My cast were flexible with their schedules and my crew came on board knowing that this was not a “class project” or thesis film. I am always inspired to do better when those around me challenge me to do so. My brother, Anthony is a special FX artist and illustrator. He came out from Chicago to help and do all the special FX make-up for the film. Having him there gave me a sense of comfort and was a set of eyes I could trust. My brother and I are close and when things became intense from time to time, he was always there to reassure me, which definitely eased the load. There were a few people in particular who supported me throughout the entire process and words could never express my gratitude: of course my immediate family and Anthony, but also Bryan N., Mike V., and my school advisor on the project, James Gardner. When everyone else was telling me ‘no,’ they all said ‘yes.’

AP | Talk about your approach to the filmmaking process.

MK | I played basketball since I was five years old. I was recruited in undergrad to play ball and I was also a basketball coach. That helped me as a director because you have to delegate responsibility; you have to rely on a team to do what they do best. So, that whole aspect helped set me up as a director to get all those elements to work. I approach filmmaking as I do a coach. You have to know your cast and crew, the different personalities, being able to delegate responsibility, and being able to answer all the questions that come to you like rapid-fire. You can't shut down, you have keep the ball rolling. I attack it like a basketball game, everybody has their responsibility to make sure everyone is doing their job to their best potential, and you create that team to the unified outcome. And depending on what genre I'm shooting or depending on what the film is, of course, I'll take liberties with how I'll approach it. The main thing is keeping everybody on the same page. Making sure at the end of day the voice you want represented is heard and the story comes out the way you envisioned in your head.

AP |
You're the second straight interviewee to answer with the sports team analogy, very interesting. Switching to your film, Lex Talionis, how has the response been so far?

MK |
The response has been great. We got into three film festivals, so far, and we have a screening next month for the LA Femme Film Festival. I did show it to a couple people during the process just to get feedback. It is a heavy story with a lot of information in 15 minutes. People really dig the premise. My whole goal for my film is to extend
it into a feature and use the short as a tool to show the tone and visual style. The screening in Temecula was our premiere, some of my cast and crew came out to see it for the first time in its completion. It was great to hear their positive response to the film. I not only had a composer score the film, but also had Michael Del Palazzo of The Wake Effect allow us to use a track for the film. It was the first time he was ever part of a film and he was excited to see the finished product and was very happy to have been part of it. It always makes you feel good as a filmmaker when people who were a part of the project or are seeing it for the first time respond enthusiastically. I am always open to critique, I like people telling me the truth, but the reality is you ask 10 people, 10 people will do it 10 different ways. The most important thing is that I am proud of the finished product and I’m excited to see where the film goes and the prospect of turning it into a feature.

AP | What advice would you give to young, aspiring filmmakers? What's one thing you would say to them?

MK | The best advice I can give is that you really have to have a direction of where you want to go, really narrow it down, pick a field you want to get into and then go for it. A majority of the time it's a long, hard, difficult road. I'm the type that keeps fighting and never looks back, but that is what you have to do if you want it badly. You have to go out there and do it, get your hands dirty and make things happen on your own. The best thing anyone has ever told me was ‘no,’ it only made me work harder.

AP | What is one of your favorite films?

MK |
There are so many films that I love and watch and get inspired by. There are two very specific favorite films, for two different reasons. First, Back to the Future II is one of my favorites and when I was in 7th grade I saw a behind-the-scenes documentary on the making of the film and that is what sparked my interest in film production. I thank my technology teacher for showing that in class or else I probably wouldn't be here today doing what I'm doing. David Fincher and Michael Mann are two directors I most admire for their style, storytelling ability and visual imagery. With that being said, Collateral is my favorite film. In my opinion, Mann hit that one out of the ballpark.

AP |
On a lighter note, have you ever ran coffee for anyone?

MK |
[laugh] You gotta pay your dues, you better believe I have.

AP | Who was the first person you ran coffee for?

MK | My mentor, Lee Shallat Chemel, is the first person I ever ran coffee for. She is a wonderful person and an extremely talented director who has been sharing her knowledge and craft with me over the last year. Lee actually came out to my screening over the weekend, which really meant a lot to me. I have nothing but respect and admiration for her and am happy to get her double decaf soy cappuccino whenever she wants! [laugh]

Here's to Dir. Melissa Kosar and the hope for her feature!

Read more interviews by Anthony Pang on Refine Films!

Wednesday, September 21, 2011

TVIFF Awards Gala

Temecula Valley International Music & Film Festival black tie awards gala took place on Sunday, September 18th at Pechanga Casino & Resort. It was a wonderful evening filled with filmmakers, musicians, sponsors, programmers, and film enthusiasts. It was a great way to conclude the success of the 2011 festival.

(Picture taken by SWRNN)

Many special guests were in attendance such as: Joe Bologna and Renee Taylor, Virginia Madsen, Oren Peli, Connie Stevens, Cybil Shepherd and Peter Bogdanovich. For more information on the event, please click the link to read an article by the
Southwest Riverside News Network.

Thursday, September 15, 2011

Opening Night!

"The 17th Annual Temecula Valley International Film and Music Festival got underway at Temecula’s Tower Plaza on Wednesday night. Classic cars sponsored by Lance Haynes of Haynes Chauffeuring delivered aspiring film stars, directors and musicians to the red carpet festivities at UltraStar Cinemas."

Read and see more pictures on the Southwest Riverside News Network

Representing Lex Talionis, Director/Writer Melissa Kosar with Editor F. Flobo Boyce
and Cinematographer Matt Dreiling on the red carpet.

Wednesday, September 14, 2011

Screening information...

LEX TALIONIS screens this weekend at the
2011 Temecula Valley Int'l Music & FilmFestival!

Visit the screening schedule page for times
and ticket information!


Monday, August 15, 2011

Lex Talionis is an official selection...

Lex Talionis has been accepted into the 2011 Temecula Valley International Film & Music Festival in September!
More details to come, so check back soon!

Wednesday, July 20, 2011


Photo copyrighted to respective owners at Happily Divorced/TV Land.


TV Land picked up Happily Divorced for a second season!
The show is scheduled to return in the spring of 2012.

Don't forget to tune in and set your DVR's every
Wednesday night at 10:30|9:30c on TVLand!

Read the article in the L.A. Times by clicking HERE.

Meeting Emilio Rivera...

I recently had the privilege of meeting Emilio Rivera, who plays the role of Marcus Alvarez, the leader of the Mayans in the Sons of Anarchy. He has been in many television shows and films, including Collateral, one of my all time favorites directed by Michael Mann. I have been able to talk with him on many occasions about film production and the upcoming season!

Thursday, June 16, 2011

Ratings are in!

According to The Futon Critic and a press release from TVLand: "Happily Divorced drew in 2.4 million total viewers at 10:30 p.m. and when combined with its encores at 11 p.m. and 1:30 a.m. attracted 4.4 million total viewers." Read more HERE!

(Photo copyrighted to respective owners at Happily Divorced/TV Land.)

If you happened to miss the premiere of Happily Divorced, you can watch the pilot HERE. Tune in next week for another hilarious episode at 10:30|9:30c after Hot In Cleveland on TVLand!

Check out the Happily Divorced web page and Facebook page to keep tabs on the show. You can view photos, leave comments on the message board, read bios and watch interviews with the cast!

Tuesday, June 14, 2011

"Happily Divorced" to Premiere... AND I'm in it!

Sunset Blvd. and Vine St. billboard advertising Happily Divorced.

That's right, Fran's back! Be sure to tune into TVLand tonight, Wednesday, June 15th 10:30|9:30c for the premiere of Fran Drescher's new sitcom, Happily Divorced! The show has a great cast starring: John Michael Higgins, Rita Moreno, Tichina Arnold, Robert Walden, Valente Rodriguez and D.W. Moffett. It is based off of her life with her real ex-husband and co-creator, Peter Marc Jacobson.

I am and have been a director-in-training under the very talented director, Lee Shallat Chemel. By shadowing Lee, I have had the ability to learn an immense amount about single camera and multi-camera formats. I’ve been able to experience many different facets of the multi-camera format, which includes: rehearsals, blocking, studio notes, casting, camera blocking, color timing, post-production and of course, the live audience show.

I not only had the privilege of being behind the camera during the production of the pilot, but also in front of the camera. If you look closely during the concert scene you will see me as a background actor sitting three seats away from Fran! Live multi-camera shows are very exciting, the energy level is through the roof and the actors respond to the laughter of the audience. So the laughter you are hearing on television was recorded during the actual taping of the show!

Fran Drescher, Melissa and Director, Lee Shallat Chemel on set during the pilot.
(picture taken by G. Lurssen)

I feel so fortunate to be given the opportunity to shadow Lee from show to show and learn from a real pro. What I’m learning and what I’m able to be a part of is truly a one of a kind education and an opportunity of a lifetime. This is another one of those surreal moments where I feel like things have come full circle as I remember watching The Nanny back in the 90’s and recall seeing her name as the credited director. Lee also did the pilot episode of The Nanny along with 28 more episodes during its six season run.

Check back for more updates and don't forget to tune in tonight!

Sunday, May 15, 2011

Meeting Ron Perlman...

I had the pleasure of meeting the amazing and talented Ron Perlman! It was great talking with him about production and the upcoming season of Sons of Anarchy. Not only was he funny, but extremely nice and pleasant to talk with. He also gave me some valuable insight as an up-and-coming director.

The new season of Sons of Anarchy airs this September.
Be sure to tune in, it's a GREAT show!

Wednesday, April 20, 2011


My short film, LEX TALIONIS, is an Official Selection for the 2011 Central Florida Film Festival!

Check out the trailer HERE!

The official Lex Talionis page has up-to-date news posts, production pictures and stills, along with cast and crew biographies, which can be viewed HERE!

Be sure to check back soon!

Working with Christopher Lloyd

I had the opportunity to work on a pilot for NBC Universal where I had the pleasure of meeting and working with Christopher Lloyd! During the course of production, Christopher and I would talk in great lengths. He would tell me stories about different sets he'd been on, different directors he had worked with and he also gave me some great advice along the way. The pilot was directed by Ted Wass; other cast members included Jean Smart and Jere Burns. Check back soon for an update on the show!

By meeting Christopher, I feel my journey has almost come full circle since Back To The Future was the reason why I wanted to become a filmmaker in the first place.
I'm excited to see where the journey leads to next!

Tuesday, January 11, 2011

My TV debut --- be sure to tune in!

(Photo copyrighted to The Middle/abc)

Be sure to tune in to The Middle Wednesday, January 12th as I will be making my television debut as a background shopper in a GAP store!

The episode is called "The Big Chill" and airs 8|7c on ABC.